Well, you shall know. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. Of what use was the temporary set-back to memory, when it always returned with redoubled poignancy? Then came another thought, astonishing. “I have found out at last what a useless person I am —from a utilitarian point of view. Capes—the ‘Capes crave,’ they would call it in America. I will tell you this much, because you have been kind.
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