"He is dying?" whispered Ruth. There must be real Valjeans, else how could authors write about them? Supposing some day she met one of these astonishing creators, who could make one cry and laugh and forget, who could thrill one with love and anger and tenderness? Most of us have witnessed carnivals. Still, something had marked the face, something had left an indelible touch. They don’t catch on to discursive interests, you see, because they are more serious, they are concentrated on the central reality of life, and a little impatient of its—its outer aspects.
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