” “That’s the comfort of you. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. And yet, often when alone, he wondered: had McClintock been wrong, or had she ceased to care in that way? The possibility that she no longer cared should have filled him with unalloyed happiness, whereas it depressed him, cut the natural vanity of youth into shreds and tatters. But this calm was more awful than the previous roaring of the blast. “You know what? You’re right.
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