’” “Yes?” “I think—yes, I went on in a pleasing blend of the casual and sotto voce, ‘The fact of it is, sir, I happen to be your son-in-law, Capes. Neither would she allow herself to feel guilty nor would she allow him to find a way into the house. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. He was always doing his best to call her attention to the fact that he was a man of spirit and quality and experience, and she a young and beautiful woman, and that all sorts of constructions upon their relationship were possible, trusting her to go on from that to the idea that all sorts of relationships were possible. He was fast rising to an eminence that no one of his nefarious profession ever reached before him, nor, it is to be hoped, will ever reach again. “Where to?” he asked, as the hansom drove up.
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